Magliano Fall 2026 Menswear

Magliano Fall 2026 menswear was presented at Paris Menswear Fashion Week and sees designer Luca Magliano continue to refine a vision that sits deliberately outside the mainstream, rooted in what the brand calls the “elegance of the provincia,” ie: the outskirts. The presentation is framed by sound: a concert of whistles that set the tone for what followed; the clothes themselves read as an anthology of Magliano’s work to date: wardrobe staples born from necessity and urgency, stripped of formality but loaded with intention.

That off-kilter design associated with Luca Magliano is here: blazers hang just a little bit too low, as though bought a couple of sizes too large – the last one left in the shop, taken anyway. Wide-leg trousers pool at the ankles beneath them, completing a suit that would otherwise look pieced together from slim pickings. Pockets fall at the hips, again a little too low for comfort, but taken all together – along with the buttons that begin below the navel – it is a strong look works effortlessly.

Elsewhere, waistbands twist over belts; collars are distorted, with the clothes label hanging out on one side as though the wearer couldn’t quite figure out the garment. Lapels fold awkwardly on the collar bones; leather belt buckles show raw stitching. At first glance, these details may appear to be the result of sloppy work, but under the direction of Luca Magliano, they become codes that are unmistakably his.

The colour palette feels just as deliberately off: washed-out chalk green, tired greys, faded mushroom tones, with dyeing processes that make the clothing look worn and lived-in before it’s even left the runway. There are bursts of yellow and blue, but nothing feels clean or new – everything has that slightly grubby, roughed-up quality that Magliano does better than anyone else.

Fabrication, though, is where the contradiction sharpens. Shetland, Harris tweed, and mohair anchor the collection in real warmth and texture, while tropical polyester gets treated with finishes that mimic shearling – the kind of material trickery that rewards a closer look. Tartan drapes across the body in generous, almost heroic proportions, and silk pieces carry printed images of crystalware and bunches of keys – symbols of preciousness and domestic longing that feel oddly tender for a collection this rough around the edges. Magliano distils it into a single word: Home.

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